作者：开辛邓平 来源：原创 发布日期：08-20
A | Tarun Mansukhani recently brought the Kapoor family together in Dining with the Kapoors, a Netflix documentary that offers a glimpse into the lives of one of India's biggest film families. The Dostana and Housefull 5 director served as creative producer on the show, which was created by Armaan Jain. In an exclusive conversation with Filmfare, he talks about how the private family welcomed the cameras into their home. He opens up about the emotional visit to Raj Kapoor's Deonar Cottage and reflects on the different worlds of stardom he has experienced, from working with Shah Rukh Khan, the Bachchans and now, the Kapoors. Excerpts: How did you come on board for Dining with the Kapoors? Armaan and I have known each other for a while. He was supposed to assist me when I was trying to make Dostana 2. The film didn't happen, but we kept in touch. About four years ago, he approached me with the idea that he wanted to do something with his family and food. Back then, I didn't know the family as intimately as I do now to realise how important food was to them. We kept brainstorming over random ideas until Armaan said that he wanted to have one lunch with all the family members coming together and the camera shooting them. My first reaction was, 'Good luck with that,' because I knew the family was very private. They don't like cameras coming into their personal spaces. Even Ranbir and Alia had a very intimate wedding. I wondered how Armaan intends to pull it off, but we decided to give it a shot. That's when the process of speaking to all the family members began. I sometimes accidentally call them actors, but eventually, you realise they are just Armaan's family. They all agreed without hesitation. Was it a logistical challenge deciding who would be present for the shoot? I don't think there was any Kapoor family member who didn't want to be a part of it. In a family that has always done this as a ritual, there was no thought of excluding anyone or avoiding certain members. The challenge was about dates. We asked everyone to give us 10 options and mixed and matched until we found one date that worked for all. After we got the family together, it was then about capturing the moments between them. It has come out well. After a point, they let go of the fact that the cameras were recording them. What was your most surprising discovery about the Kapoor family? I had a perception of what the Kapoor family would be like behind closed doors, and it was completely shattered. You often see them as big actors and stars but in reality, they are just a normal family. Reema Jain feels like multiple aunts of mine and Dabbu uncle (Randhir Kapoor) was like my uncles with his sarcastic remarks. How they interact with each other is how we are with our cousins. What shocked me the most was the normalcy within the family. Nobody was a big star at the table. Everything was just about being together and wasn't anything to do with the film industry. How was the mood during the shoot? It was a bit odd at first with the paparazzi waiting for you, making it feel professional. But you look around and realise it's all family. You are meeting, greeting and talking and suddenly you realise there is a camera. So it stops you in that moment from being yourself. But slowly, you start to go back into being who you are. When Ranbir and others went into the kitchen, that wasn't scripted. Armaan was arranging everything on his own and the family just decided to help. Navya and Shaira were plating, somebody else was putting tadka somewhere or buttering naans. Everything was just moving. They are like a big mad unit together. With the changing definition of stardom, how would you define a star now? Everyone is trying to figure it out. Earlier there were clear markers of stardom such as fan frenzy, brand deals or box office hits. Today, with the way the world has changed, our perception of stardom is gone. There is no metric that has popped up for us to reevaluate. Today, everyone is a star and yet no one will ever be Mr. Bachchan, SRK or Salman Khan. I don't think we will ever see that kind of fan frenzy but there will be a redefinition of stardom. Then there will be a lot of other stars. If you could create a Dining with the Kapoors style show again with another film family, who would you pick? With the other Kapoors - Mr Anil Kapoor and his family. We are in talks for a second season and hopefully, will get to announce something soon. Also Read: Exclusive:Tarun Mansukhani on Unbreakable Bond With Karan Johar & Priyanka Chopra’s Desi Girl Legacy。 8月25日消息，据日经中文网报道，日本大型进口车经销商YANASE（梁濑）今年7月开始销售比亚迪汽车，旗下首家比亚迪正规经销店“BYD AUTO 横滨南”于7月11日开业，这是日本主流进口车商首次把中国品牌纳入自己的销售体系。 YANASE社长森田考则近日接受专访，阐述了这家百年豪车经销商决定销售比亚迪的背后逻辑。 据介绍，YANASE创立于1915年，是日本最大的进口车经销商，长期以奔驰、宝马、奥迪等欧洲高档车为主营，骨子里带着“血统论”色彩，从未经销过日本本土车，更别提中国品牌。 森田透露，2022年前后比亚迪方面曾联系过YANASE，但因存在各种不稳定因素搁置了合作。
B | 他本人曾在伊藤忠商事负责欧洲业务，亲眼见证了EV普及，一直认为日本必将不可逆地迎来EV时代。要学习如何把经验运用到EV领域，全球纯电销量第一的比亚迪是最理想的合作伙伴。 启动合作的另一个关键因素是理念契合，森田表示YANASE重视与客户的面对面销售和服务，希望顾客进店后能停留更久，而比亚迪日本法人社长东福寺厚树同样强调面对面服务，两家公司的做事方式对上了，起步自然顺畅。 谈到优势，森田相当自信，称YANASE已在奔驰、宝马、奥迪的销售店里卖EV，自认是推广进口电动车的先行者。 让客户满意并完成首购，通过售后关怀促成再次购买，打造这一循环正是YANASE的看家本领。至于扩张，他的态度很克制，先把第一家店的循环跑通，等客户主动说出希望多开门店时再认真考虑。 数据显示，2025年比亚迪以226万辆纯电销量正式登顶全球第一，在日本市场，比亚迪2025年销量为3742辆，2026年上半年达2388辆，同比增长40%，正处于快速增长期。
C | 此外，7月28日专为日本开发的纯电K-Car海獭上市后订单迅速破千，要知道比亚迪车型在日本可获得的单车补贴仅约15万日元，远低于使用本土供应链的丰田等品牌的约130万日元。就是在这种不利的行业背景之下，比亚迪依然上演了逆势陡增，产品竞争力可见一斑。
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