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【卓越·通知】2025年元旦放假通知及温馨提示_我的网站

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A | 恭祝大家2025年元旦节快乐元旦放假通知浑南区卓越幼儿园一、元旦放假通知亲爱的家长朋友：您好！伴随着孩子们的欢声笑语，2024年即将画上圆满的句号，感谢家长朋友们一直以来对我园工作的支持与理解！新的一年，让我们继续携手前行，陪伴孩子健康快乐成长！ 2025元旦假期将至，为了让您和孩子度过一个充实平安的假期，现将元旦放假时间安排及温馨提示，敬请家长配合做好孩子的假期安排，做好监护、安全教育工作。

B | 元旦放假时间根据相关通知，2025年元旦放假安排如下：2025年1月1日（周三）放假1天，不调休，请大家合理安排好工作。

C |

Elliot James Reay sings on stage at a Chinese live show. Photo: Courtesy of UMG
Elliot James Reay could have copied every other Western act and sung a Taylor Swift cover. Instead, he took 1950s rock'n'roll to a live TV show where autotune is switched off and discovered a version of fame that Britain has forgotten.
Elliot James Reay was traveling in the US, trying to finish a song, when his manager called. There was an invitation to join Singer 2026, a prime-time live music show in China. Reay didn't hesitate. He had traveled the world before he was a full-time musician, but had run out of money before reaching China. "I went everywhere but China," he said while sitting for an interview with the Global Times, sitting in the office of his label in Beijing, from which the Palace Museum can be seen not far away.
Reay is, in the West, a very 2020s kind of artist. He began posting short covers on short video platform TikTok in 2019; during the UK Covid lockdown, he chose to focus on growing his fan base. He now has millions of followers across platforms, and his debut single notched 10 million views before it was even released. In the British industry, this is both a leg-up and a trap. "You can have all the followers," he says, "but they don't guarantee people will buy tickets."
In China, that equation flipped.
Elliot James Reay sings on stage at a Chinese live show. Photo: Courtesy of UMG

Elliot James Reay sings on stage Photo: Courtesy of UMG
Nervous again
The Chinese show, Singer 2026 is broadcast completely live, with no pitch correction. For Reay, who had played enough small gigs to feel comfortable in his own skin, it was a shock. "I haven't felt nerves in a long time," he says. "But I've never been in a competition before. To have my singing judged against other people made me really nervous."
He watched Week One's performances from the wings and saw why. "The standard was terrifying," he says.
But the format, he admits, is something the UK no longer has: a televised singing contest that treats vocal ability as a public event, not a pre-packaged product. "It made me feel like I just started my career again."
Reay's lane is retro. Not as pastiche, but as lineage. He wears the silhouette of Elvis Presley, sings in the grain of 1950s pop, and writes songs that sound like they were cut from a Sun Records demo. He could have sanded it down for Chinese audiences, but he didn't.
"Someone has to start the wave before you can see it," he says. Among the songs he performed were "Unchained Melody" and his original track "I Think They Call This Love," which he co-wrote with his girlfriend. He points out that the Beatles still sit next to Taylor Swift on the radio, and that pop started in the 50s. "It's the foundations of pop," he says.
Learning to feel the words
In the final, Reay performed a bilingual version of the Chinese song "Hou Hui Wu Qi" (The End of the World). It was his first time singing in another language. He spent five days learning the Chinese lyrics, listening to the original on loop.
"There are sounds in Chinese we just don't have in English," he says. "I couldn't hear the difference at first. I'd say it, and Helen (his translator) would say, 'No.' I thought I was saying the same thing." Eventually, he stopped trying to hear it and started trying to feel it. "It became more about how it felt to say it. How I place my tongue in my mouth," he says.
He didn't understand the meaning until day three. "Helen gave me a card with the Chinese characters and the English translation. It's very poetic," he says. The performance received a strong reaction, with it being called an attempt at "cultural fusion."
He had saved his own original, "I Think They Call This Love," co-written with his girlfriend, for the same final. He had held the song back deliberately. "I knew that any week was my last week," he says, "but I knew that if I made it to the grand final that I had to do it then." He had no idea it would become the last song of the entire show.
When he finished, he walked straight off stage, took his girlfriend's hand, and the two of them left together, a moment that trended on Chinese social media that night.
The song is about the exact point they realized they were in love; it was also the first track of his career he fully believed in and pushed into the world. Having her there to watch it live, after weeks of her only seeing performances on a phone in a hotel room, "tied the whole thing in a bow at the end."
A touring musician, not a TikToker
Reay is open about the tension between his origin story and his ambition. "I don't want to be a TikTok celebrity," he says. "I'm a musician. I want to tour."
The platform gave him an audience, but it also boxed him in. He remembers friends who wrote incredible songs during lockdown, while he chose to build a fan base. Now, he says, some of those friends have had to stop writing and make TikTok videos instead.
China, he says, gave him permission to be both an online creator and a live performer. Universal Music, his label, didn't push him to chase trends. "They never said, 'Do this, do that,'" he says. "They supported what I wanted to sing, and then they made it the best version they could."
Before Reay, a string of international artists had already found warm receptions and career-shifting opportunities in China. Kazakhstani singer Dimash Kudaibergen, Malaysian star Shila Amzah, US country artist Mickey Guyton, British vocalist Jessie J, and French singer-songwriter Joyce Jonathan all won large Chinese audiences through high-profile television appearances and live performances, each using the platform to open a new chapter in their careers.
He's already planning a return. He wants to bring a tour. He wants to buy the traditional instruments he saw on set and take them home to England. "I'm going to learn how to play them," he says, "and maybe put them into my music."
The advice he'd give other Western artists looking East is to stay loyal to yourself. "Be yourself," he says. "It's very easy to want to change yourself to fit into a market, but at the end of the day, if you stay true to yourself, you'll be happy."
"In the UK, I felt like I needed to do other things to make other people happy," he says.
"If I hadn't stopped doing that, I wouldn't be sitting here. I wouldn't have done the show. My whole journey would be different," he says.
。周一周二周三周四周五周六周日 30 三十 31 初一 1 元旦 2 初三 3 初四 4 初五 5 初六 6 初七 7 初八 8 初九 9 初十 10 十一 11 十二 12 十三放假时间： 2025年1月1日（周三）放假一天返园时间： 2025年1月2日（周四）正常上课元旦亲子活动为让幼儿过上一个平安、愉快、健康而有意义的元旦假期，请各位大朋友查收以下假期温馨提醒： 1.了解元旦的来历家长可利用假期让幼儿了解元旦节的来历和元旦传统文化风俗，感受中国文化的魅力。 2.鼓励幼儿做力所能及的事鼓励幼儿在家参与家务劳动，做自己力所能及的事，并能协助成人为别人服务，提高孩子的自理能力和责任意识。 3.亲子陪伴多抽时间与孩子交流、沟通，增进亲子感情，丰富孩子的生活内容;支持孩子的探究活动，如看书、绘画、讲故事，大胆与人交往，养成活泼、开朗、热情、大方的性格。 4.懂礼貌讲文明元旦走亲访友时引导孩子敬爱长辈，懂礼貌、讲文明，会与别人交往。喜迎元旦二、元旦温馨提示 1.近期传染病高发，假期中请家长尽量避免带孩子去人流较多的公共场所，以免交叉感染。 2. 利用假期期间，多与孩子沟通，教育孩子不要玩危险的游戏，加强安全教育。 3.在家里，不要让孩子擅自乱摸乱动电源开关、插座、电线、电器以及煤气等；冬季安全用火用电，避免发生火灾、触电、一氧化碳中毒等安全事故。 4.注意交通安全，教育孩子过马路要走人行道，知道红绿灯和交通标志的作用。 5.如家长收到任何以幼儿园名义的陌生电话、短信、微信、钉钉等推送信息或是二维码时，不要轻易点开，务必先向班主任老师确认，不要轻信不明信息，更不要信谣、传谣。新年的钟声即将敲响 2025年，愿新年胜旧年新年快乐每一年的元旦都是一个全新的开始浑南区卓越幼儿园全体教职员工祝大朋友、小朋友们在新的一年里身体健康、万事如意、阖家欢乐！ – END– 编辑｜张觉文校对｜刘伟丽审核｜邓玉琛刘娟地址：浑南区汇泉东路5-30号电话：024-66832049。